“You’ll never be the best at anything. The world is a big place with millions of people; it’s impossible to be the best. Just do your best, and you’ll be fine.”
We often get encouraged not to compare ourselves to others, or to compare someone to somebody else. We understand that individuals are exactly that... individual. Yet something in our make-up as humans always brings as back to this critical thinking. As Gymnastic Coaches we all too often see children in our classes compare themselves to other gymnasts in their group. Before even trying an activity, they have already made a judgement of their own ability and their skill expectations... set entirely around another class mate's skill attempt. As Coaches it is our job to set an environment that encourages safe risk taking and nurtures ALL attempts. Regardless of the outcome, technique, form or ability level. Every achievement... is a GREAT achievement no matter how small! The trouble is getting our young gymnast to understand this. From the perspective of a child it can be extremely frustrating when you are not as "capable" as another student. As adults we can understand there are other determining factors that may determine why an individual might be progressing at a faster rate. They could be involved in a multitude of sports and after school activities. They might train more than once in a week. They may of been training for years before you even started! As a child none of this information is relevant or even thought about. All they can understand is what they are witnessing right in front of them. Someone is "better" than them, and it's not fair. As adults its our role to help model a healthy way to deal with self criticism, comparison and critique. If around the home you are comparing things or people, they will take on this behavior as well. If you vocalize how one footy player for example is better than another due to X,Y,Z. Then there is a good chance that your little "information sponge", by that I mean your child, will notice that the better performing sportsman gets the higher praise while the other gets critiqued. I know there are going to be times when comparison is going to be helpful and help keep a gymnast motivated and goal orientated! The issue there, is finding the line between inspired & obsessive. I have witnessed gymnasts who are brand new to the sport and have this ultimate will power to keep pushing themselves until they are impressive little tumbling machines. I have also seen older gymnast who see a brand new gymnast with all this motivation, and get disheartened because this new athlete is somehow gaining up to their ability level uncomfortably quick. My point being comparison is not inherently evil or bad. It is the behaviors following the comparison that will determine if this mind set is healthy or not. As adults we need to be aware of what these behaviors look like and how we can prevent them from becoming destructive. Signing off for now, Coach Maygan
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Have you been remembering to floss? No I don't mean your teeth or the dance that I am sure is not "cool" anymore. I'm talking about your nerves! The human body is a largely complex piece of machinery with lots of little things that help keep the engine running - so to speak. In this regard I think a bicycle analogy will be the easiest to understand. Your body is the bicycle and your nerves are the chains. If your nerves are "stuck" or "not maintained" you may still be able to use the bike, though likely at a large convenience to yourself. To help maintain the functionality of your bicycle - you need to keep up maintenance. Nerve Flossing is exactly that. Maintenance on your nerves to help keep up their flexibility & functionality. In the world of gymnastics and dance, flexibility plays a large roll. A lot of the time when stretching, you may feel a discomfort or pain that stops you from being able to stretch any further. This is a good indicator that your body is telling you that it has reached its limit. However we can sometimes misunderstand this message. For example: When you are stretching your Pike you may feel a "pull" or tension in the back of your thighs/bottom. The first thing that usually pops into peoples minds is - "My Hamstrings are too tight!" However this may not be the case at all. It might be your sciatic nerve instead! Your Sciatic Nerve is a large nerve that starts in your lower back and runs directly down to your feet. The Sciatic Nerve is incredibly important for the body! Thankfully there are ways to tell the difference between a muscle hindering your flexibility progression or a nerve getting in the way. How to Test it: When stretching out in a Pike, if you are able to stretch significantly further with your toes pointed as apposed to flexed - there is a good chance your sciatic nerve might be what is stopping you! So how can we help our nerves? And what does it have to do with flossing? Simply put, you use gliding movements of a limb to stretch one end the nerve while relaxing the opposite end. In a series of repetitive gliding movements, the nerves will respond a lot better than that of a "tradition" static stretch. How to Floss safely: While Flossing can be incredibly beneficial... you must like any other stretch be careful. 1. Tissue Warm Up - Step one is crucial if you wish to get the most out of a nerve floss. The easiest/best ways to do this is via gentle to moderate manipulation of the surrounding muscle fibers. This can be achieved through a number of exercises with a foam roller, peanut, lacrosse ball or tennis ball. The pressure of your body weight and the shape of the object combined, is what will give you a deeper and more focused release. 2. Nerve Flossing - Now comes the time for flossing/gliding! The important part to remember that with flossing, you are not supposed to feel a deep stretch. Instead you should be focusing on holding resistance at the full extension of a stretch. It is the repetition of the same movement that will gently release the "stuck" nerve. There are NUMEROUS ways to floss and it is well worth your time to do some research of your own to find the best exercises for you. 3. Active Flexibility - Now comes the time to test those nerves! You have just successfully prepared your nerves at their full range of motion. Now it's time to see if they can use this freshly gained functionality. Now is not the time to hold any static shapes. It's best to use your new range of reach/flexibility through dynamic movements. 4. Passive Stretches - If passive or static stretches are apart of your routine, now is the time to use them. After following all the other steps you should notice a little extra flexibility in your stretches. Remember to take it easy! Your muscles will be more relaxed than usual, so they are prone to being over stretched if you aren't careful.
Take note of your before & after stretches. Have you noticed any improvements? Take some photos of your stretches so you can visualize how you are progressing. Best of luck to you all & happy flossing! Signing off for now, Coach Maygan Larisa Latynina (Soviet Gymnast from 1956 - 1964) Larisa holds the record for most Olympic gold medals for any female in the history of the Olympic Games, only recently surpassed for all round competitor by Michael Phelps as a male competitor. Larisa has a whopping 18 Olympic medals to her name! She held this record for 48 years. After retiring from gymnastics in 1966, she went on to coach the Soviet National Gymnastics Team for 11 years. Under her coaching, the Soviet team won gold in 1968, 1972 and 1976 Olympics. She also played a large roll in organizing the gymnastics competition in the 1980 Olympic Games in Moscow. Sawao Kato (Japanese P- Bars Gymnast from 1976 Olympics) Sawao Kato was a valued team member of the Japanese Gymnastics team in the late 70's. Throughout these Olympics games, Kato won 12 medals, 8 of which where gold! He specialized in the Parallel Bars. He went on to win the Individual Men's Gymnastics Event. In Japan, Kato is highly respected as the top gymnast with the most wins held for Japan. Currently, Kato is a professor at the University of Tsukuba. Nadia Comăneci (Romanian Gymnast 1976-1984) Nadia is the first female gymnast to be awarded a perfect score of 10.00. She is was one of the youngest and one of the original gymnasts in the history of modern gymnastics. Nadia is a three time gold medalist with a total of 9 medals to her name! After her very successful gymnastics career Nadia went on to coach, and commentate in gymnastics competitions. Nastia Liukin (USA Gymnast 1976-1984) Nasia is a former Russian American gymnast. She was the 2008 Olympic all-around champion, with 5 Olympic medals. Liukin was a key team member of the U.S. senior team. She represented the United stated at three World Championships & one Olympic games. Liukin comes from a family of champions, with her father being an Olympic athlete, along with her brother. She retired from gymnastics in 2012. She went on to join NBC Sports as a gymnastics analyst. Nastia also went on to launch her own app called 'Grander' that is aimed at connecting aspiring gymnasts with inspiration, and empowerment. Have you ever wondered where gymnastics skills get there names from? I'm sure you know that a few skills are named after particular gymnasts... but do you know when the skill was first competed? Or why it was so special? The world of gymnastics is ever changing, developing and growing. It is one of the few sports in the world that is guaranteed to evolve over time. In 30 years time, the competing world of gymnastics will not be what it is today. You will likely see current day skills removed, and new skills included. If youtube and video sharing is still relevant in 30 years, there is bound to be a new collection of "BANNED" gymnastics moves from the 2010's. To have the honor of having a skill named after you, it needs to be competed at a high level eg. World Championships & Olympics. Each skill is rated from category A (easiest) to category I (hardest). Victoria Moors: Floor Skill The Moors is a backwards double-twisting double layout. The hardest category rating of "I" was created by FIG (Fédération Internationale de Gymnastique) especially for this skill. This skill is so challenging because the gymnast is landing completely blind. Olga Korbut: Balance Beam In the 1972 Olympics Soviet Gymnast Olga Korbut first performed her signature beam skill. It involved a backward somersault that ends with her straddling the beam. It was the first time this skill was performed and it changed the way competing gymnasts flowed on the beam. The skill can be seen at 0:40 seconds. Eberhard Gienger: Bars A Gienger is a backflip into a half turn - where a gymnast begins their swing facing outwards and ends with them facing inwards. This skill was first performed by German gymnast Eberhard Gienger. This skill can be competed in a piked position or in a layout position. It was a challange to find a video of him competing this skill from the 1970's. Here is a video of gymnast demonstrating the skill and a video of Gienger competing in the 1972 Olympics.
Elena Shushunova: Floor Soviet gymnast Elena Shushunova first competed this skill in the 1986 World Cup. It is now a skill that is competed by numerous gymnasts due to its versatility to connect it to other skills. Lisa Skinner is an Australian gymnast who competed the shushunova skill 3 times in her routine in the 2000 Olympics routine. Skill can be seen at 1:30 min of the video.
What did you think about all these elite gymnast and their trademark skills?
It would be great to do some more blog posts like this in the future. So we can learn a little bit of history behind some gymnastic skills. Signing off for now, Coach Maygan I would like to touch on a topic that should be held highly in the hearts of all parents/carers/teachers etc. It's the importance of idols and leaders that our youths look up to. Those who inspire, teach and help our children grow into focused and driven adults.
Our children are going to admire several people of importance through out their childhood. Each member of their inspirational chart will be selected for a specific reason, that is instrumental to a chapter of their growth. I would like to mention an article from August 19th of 2016, from ABC News. The article is about a 6 year old gymnast named Nyla Miller, who had only been partaking in Gymnastics classes for a year at this point; who dreamed of being just like Simone Biles & Gabby Douglas. Young Nyla first witnessed the strength and grace of both Olympic Athletes during a live broadcast of the Rio Olympics in 2016. Nyla saw herself in these elite gymnasts and aspired to be just like them. They represented something for Nyla, which is irreplaceable in a child's life. Nyla's dad Miller was quoted reporting on the importance of these idols for his daughter. "She's been able to look at them and see that anything is possible. I am possible." A photo of Nyla sporting a Blue, Red & White leotard similar to Simone Bile's leotard was posted on her dad's social media. When unsuspectingly Simone Biles saw the photo she had been "tagged" in and shared it to her own personal social media for all her fans to see. Nyla's family was so surprised to see their daughters idol had shared her appreciation for Nyla on her social media to her 3.3million followers. This story is just one story out of millions. Each person, each child will have somebody they once or still do look up to. As adult's it can sometimes be difficult for us to relate to those our children look up to. We may not see what they see. However there is something in them, that they can connect with. It seems quite common for young children to idolize their Primary School teachers for example. This maybe for a variety reasons. It may be the case that they are consistently exposed to a familiar leader in their day to day life. It may be that they see their teacher as confident & kind and they wish to be like this also. It might even be that they see their teacher as an intellectual representation of themselves. It is fair to say that young people will after a period of time come to realize that their idols are just "ordinary people" just like they are. Flaws & faults included! Listen as best you can to the children in your life. Help them find people to support them, to inspire them, to build them up. We won't all have our idols reply to us on twitter or Instagram, as lovely as that would be. However helping to expose our children to positive representations will only help to encourage our kids to reach their full potential. Do your children have somebody they idolize? Are you unsure? Now is the perfect time to ask them! Signing off for now, Coach Maygan The press to handstand is one of the most difficult skills to achieve as well as one of the most important in the higher levels of gymnastics. The ‘press’, as it is affectionately known, has a number of different components which can take years to perfect and ultimately result in it’s mastery. The process of learning a press to handstand also develops and teaches valuable skills for life surrounding perseverance, determination and how to trust the process. So, without further ado, lets look at some tips to help you achieve your press to handstand! Like it’s name sake suggests the handstand is all about balancing...upside down! It takes a lot of practice to balance using our hands as though they are our feet. In order to best prepare our bodies to balance upside down we must undertake a lot of wrist conditioning. In our classes at FCGC we utilize the array of equipment on offer to help our gymnast’s develop strength in their wrists. Most of the time these activities are lots of fun for the gymnasts, but really there is purpose to our play. Compressing foam blocks from the foam pit or scrunching scarves with our hands all help to develop our wrist and hand strength. The second vital shape for the handstand which we practice from Geckos and Grown Ups through to Level 10 is our rocket or tall shape. This shape is the most important for a lot of skills, but none more so than the handstand. The gymnast practices standing in a straight line; extending upwards through their shoulders, pressing their ribs ‘inwards’ and pulling their hips ‘under’ to create a perfectly aligned and straight body. When inverted, this shape becomes a perfectly straight handstand which is easy to control and balance in. The next component for a perfect press is core strength. In order to perform a press to handstand it is essential for a gymnast to develop their core stability through a range of exercises. As well as the general gymnastics core conditioning activities including the likes of ‘dish hold’ and leg lifts, there are many exercises which develop core strength in parallel with the press to handstand action. Stalder leg lifts are one such strengthening activity; the gymnast starts hanging on the bar and lifts their legs into an inverted straddle position. When rotated upside down the gymnast looks as though they are starting in a handstand and lowering down to a straddle support position; one of the many ways to start a press to handstand! Another similar drill is a lying press to handstand on a trapezoid shape. This drill not only works the gymnast’s core strength, but also their muscle memory for the skill. In this drill the gymnast begins lying on their back in a stretched position, their hands touching the wall as though in a handstand. Lifting through their hips, the gymnast rolls backwards into a straddle position with their hands still touching the wall. The gymnast then slowly lowers back to their lying stretched handstand position – talk about that for an abdominal work out! As a coach the part I most often see gymnasts struggling with is the all important ‘planche action’ with their shoulders. In order to perform a consistent and technically correct press to handstand a gymnast must lean forwards over their hands through a planche position. The easiest way to think about a planche is like a seesaw; we are trying to counterbalance our bodies through our shoulders. This leaning action is common place throughout gymnastics skills including a ‘cast’ on the Uneven and High Bars, swing to handstand on Parallel Bars and front support on floor. At FCGC we encourage this important progression as early as possible with our gymnasts in order to make these harder skills much easier long-term for our athletes. One shape which can be practiced at home as well as in class is a front support position. In a front support the gymnast should have an ‘angry cat’ rounded chest and lean forward over their hands with their shoulders – this will translate to a comfort of leaning forwards, assist the gymnast with the skills mentioned previously, and their press to handstand! Other exercises which work both the planche action required for the press and core strengthening include; Pike Drag Ups: The gymnast begins in a support shape on a bar or edge of a box and, lifting through their hips whilst leaning forwards, drag their toes up the bar/box to a standing position Elephant Stand: The gymnast begins in a frog position on the floor (squatting with hands in between feet) and rests the inside of their leg on their straight arms. The gymnast then leans forward with a rounded chest and balances for as long as possible Straddle Press Walks: The gymnast begins sitting in a straddle position and lifts their hips up whilst leaning forward over their hands. From the inverted position the gymnast lowers back down through an L-sit and into a straddle and places their hands in front of them ready to go again! Now that we have looked at the different components of the press, its time to put it all together! The gymnast should start in a straddle stand with their back facing a wall, wedge or beat board (leaning against something of course!) placing hands just in front of the vertical surface. From the straddle stand the shoulders should lean forward through the planche phase whilst lifting the toes into the air. Just before vertical the gymnast should dynamically ‘open’ their shoulders to finish in a perfect handstand! Remember that a press to handstand can take many years to achieve, so don’t be pressed with time and start practicing today! See you in the gym – Coach Toby Every week you take your children to their gymnastics classes - sometimes staying to watch them train. We all know the incredible benefits gymnastics has on children but have you ever thought about what having a child in the gym is teaching you?
How to trust in the process: This is a life lesson for both the parents and gymnasts - kids aren’t going to learn how to flip and somersault their very first lesson which is what most people associate with gymnastics. Instead there is a big foundation of body shaping, body tension, strength and many, many drills before gymnasts start hitting the harder skills. This process is so important to ensure gymnasts don’t hurt themselves throwing skills they are not ready for - however can be slightly frustrating for parents watching. Parents with gymnasts quickly learn that there is a process and how to celebrate the small successes with their children knowing they are one step closer to that skill they really want! Bravery: It can take a brave parent to watch their child do gymnastics for so many different reasons. Gymnasts have to learn to be brave and trust themselves and their coaches, but parents also have to learn this bravery watching their children train skills that they may find scary, knowing you can’t be right there to help. Sometimes this means watching with your heart in your mouth as your child tries that new skill on the high beam for the first time! Watching your gymnasts at competitions or events takes a lot of bravery too - sometimes children forget their routines or fall in their routine - which is all part of gymnastics, but as a parent it can be hard to watch! So I applaud all parents who are able to watch their children train and compete and can stay relatively calm doing so. You are all learning to be so brave on behalf of your children. Learning to watch your child fall: If you’re an experienced gymnastics parents you’re probably nodding your head at this one - if you’re new to the sport it may sound a little crazy. Falling is a massive part of gymnastics but that doesn’t mean it’s easy to watch! Gymnasts first learn how to fall properly before they start doing bigger skills (and yes there is a right and a wrong way to fall). If they know how to fall properly it lowers the chance of injury! Some falls will be funny, some will be frustrating and sometimes a fall can be pretty scary. Parents have to learn to watch these from afar without being able to do anything for their child. This one also links back to bravery as well. Being a gymnastics parent isn’t always easy! Just remember next time your child falls - it’s an important part of the sport and is helping them in the long run, try using positive words when you talk about it after practice. Rip care: Bars, sweet bar. So much fun but also so much ouch! We love bars but yes, they do hurt your hands - especially while in the process of making your hands strong and tough. Sometimes your children come home with a dreaded rip and you have to somehow make it better! I guess we could say gymnastics is teaching you wound care as well, aren’t you lucky! If you are struggling with how to help your child with their rips here are some top tips. 1.Make sure their hands are washed clean to get all the chalk out of the rip 2. Cut of the dead skin surrounding the rip - if this gets left on it can rip more 3. Get a wet tea-bag and have your child hold it on the rip for 5-10 minutes 4. You can put some antiseptic creams on it following this as well 5. Cover the rip for the next practice. If you’re bringing a child to gymnastics we think you’re amazing and are so glad we can help teach you some life lessons too! Thank you for helping support your child's development through this wonderful sport. - Coach Saskia Every individual that walks through our gym is going to learn in a slightly different way. Some require verbal ques (linguistic) to understand a process, while others might require a kinesthetic approach by trying the activity themselves. There are many other ways to learn that include Visual (spatial), Aural (auditory), Logical (mathematical), Social (interpersonal) and Solitary (intrapersonal). All of these methods of learning will help our gymnasts to fully understand and grasp a concept.
In our gymnastics classes we try to use as many of these learning styles in each class as possible. This way all of our gymnasts are getting the most out of their experience. Our learning styles have a large influence over the way we recall information and the way that information is internally represented. Research has shown us that each of these learning styles activates different parts of the brain. By increasing the number of parts of the brain used, we remember more of what we have learnt. Resulting in a more effective learning environment. In young children, it is especially vital to take all of these learning styles into consideration. As children often learn through play, they will be using nearly all of these learning styles simultaneously. In our Playskills programs - such as our Gecko's program - we utilize these learning styles through use of "learning cards". These learning cards are accessible through out the gymnastics circuit to the children and their grown ups. The learning cards will contain imagery of the gymnastics skill (visual), a worded description of the activity (linguistic) as well as the opportunity to work on their social skills (interpersonal) with their grown up and the other gymnasts around them. This is the perfect learning environment for young children to develop their neural pathways in their brain, that will lead to a successful opportunity for learning into their adult hood. It is also a great opportunity for parents/grown-ups to observe the manner in which their child is engaged through learning. Do they seem the most interested when the group plays a game of "Follow the leader" (Kinesthetic)? Do they constantly ask you to read the learning cards to them? (Auditory)? Do they need to see how a skill is achieved before they try (Spatial)? Take as much as you possibly can in. The more you know about how they learn; the more you will be able to help them learn. Do you know how you learn best? Do you think your child learns the same way you do? Let us know in the comments below! We would love the hear you responses. Signing off for now, Coach Maygan "So can you do the splits?" - This is one of the most commonly asked questions when gymnastics is brought up in a conversation.
Flexibility is not just a fundamental part of gymnastics, it is actually very important in nearly every sport - although it may not be as obvious. Playing soccer, rugby or footy the athletes need hamstring flexibility for their kicks. Rowing needs good hip flexibility to get the most out of each stroke. Swimmers shoulders need a good range of movement to increase their speed. I could carry on but you get the point... flexibility is important! So how do we help our children increase their flexibility? Try these top tips! Stretch consistently! If gymnasts are only stretching once or twice a week in class, it is unlikely they will see a lot of improvement. To increase flexibility, it is important to create a stretching routine to do either every night or every second night. It doesn't have to be long 10-15 minutes a day is plenty of time to start seeing some great results. This could be incorporated before or after (for an extra challenge try during) homework, while watching tv or even just before going to bed. Take photos! Progress photos are a great tool to help motivate both children and adults. When stretching, it may feel like there are no changes being made as it can take a few months of consistent stretching to really see some big results. Taking a photo of your child (or yourself) while they are stretching every couple of weeks will help them see the differences and help keep them motivated to keep going! Use a mixture of active and passive stretches. It is important that both active and passive flexibility are practiced. Active stretching incorporates flexibility through movement, this kind of stretching requires strength through the muscles to help achieve the stretch which is done without the use of gravity, or a hand - think all kinds of kicks (its harder to hold your leg in the air if you don’t have a hand helping pull it up). Passive stretching relies on body weight and gravity and requires good joint mobility. Both kinds of stretches are very important for example – you need to be able to do the splits on the floor to do them in the air however; just because you have them on the floor doesn’t necessarily mean you have the active flexibility and strength to be able to do them in the air. The information to take away from this is incorporate both kinds of flexibility into your stretching routine! Get some inspiration! There are so many videos of amazing gymnasts, dancers and contortionists on YouTube. Try watching some videos with your child and you both might be inspired to stick to that stretching routine. When I first started stretching I kept a photo of a skill I wanted to be able to do as my phone background – it may have taken a year but when I finally managed to do it I was so proud! So find some inspo and have your gymnast set themselves a challenge. You’ll be amazed at what can be achieved! Be careful not to over stretch! Yes I know this sounds slightly crazy considering I have been going on about how great stretching is, however we need to make sure our gymnasts/children/selves are not stretching to the point of injury. When stretching it is important not to feel pain. Discomfort yes but pain, no! If it is too painful for the gymnast to sit in the stretch for more than a few seconds they are stretching too far and need something simpler to start with. The ideal length of time to hold a stretch is between 20-30 seconds. It is also important to note we never want gymnasts ‘bouncing’ in their stretch to try get further as this too can cause unwanted damage. Hopefully you can enjoy the process and learn to love stretching as much as I have! Thanks for reading today's blog. Did you find any of it helpful with your own personal stretching goals? Cheers, Coach Saskia By definition conditioning is "the process of training or accustoming a person/animal to behave in a certain way or accept certain circumstances." In this instance we won't be talking about animal training, shame I know. Instead we will be talking about training muscles to get stronger and the mind to get accustomed to the feeling of training ones muscles. There are a lot of reasons why conditioning is crucial for gymnastics. I think the most important reason of all, would be for safety. Any gymnast is at risk of injury and often times if a gymnast has stronger ligaments and connective tissue, an injury may be prevented or the severity of an injury can be minimized. Other reasons why conditioning is important include stability, strength, mental toughness, team work, responsibility for personal progression and resilience. Now we know WHY we do conditioning, let's talk about HOW. Depending on the level a gymnast is, it will reflect the type and duration of the conditioning they will part take in. However, the younger gymnasts will still be introduced to some of the movements and the idea of strength based challenges through games, group activities, and fun circuit stations. For the older gymnasts in Gymstar and ALP they will be working on a larger array of conditioning tasks. As our gymnasts enter the gym for their class, they will make their way over to a designated area with their coach where they will part take in a group warm-up followed by stretching and fundamental shapes in gymnastics eg. dish, arch, front support etc. From here the coach may take them through some conditioning to help prepare the muscles for high action and full range of motion. At FCGC we are very lucky in the regards of coaching resources. We have access to class planners on tablets that can aid or provide inspiration for all of our coaches through lesson plans and apparatus stations. Through out an apparatus training session, the coaches will assign conditioning stations among the skill development stations. We do this for several reasons. It helps to give the gymnasts a rest, and it breaks up the back to back skill development that can quickly wear out even the strongest of gymnasts. Here are a couple of examples for conditioning at an apparatus: - Chin ups (rings, p-bars, bars) - Dish/Arch Holds - Squats or Lunges - Resistance band exercises - Exercise ball activities (eg. sit ups, tuck snaps, stability.) - Bar Toe Touches - Dorsal Rocks/Inverts - Leg lifts (Beam, Floor, Pommel) Among a training session, the gymnasts will be given multiple opportunities to be working on their conditioning. Either worked into a circuit as previously discussed or in its own designated time/space. Each coach will have their own modifications to a strength based task or new ideas that will keep gymnasts engaged through out the session. This gives gymnasts the perfect opportunity to try varying challenges through out the entirety of their gymnastics experience. Here are some methods you might see used in the gym: - Timed Intervals - Partner based exercises - Whole class strength holds - Circuits - Challenges of strength based on repetitions There are endless possibilities for a good conditioning class structure! So much so, that I can hardly scratch the surface through this blog post alone. If you are interested in some more ideas, the internet will be your best friend! Just remember when trying a new exercise you should always take it easy to avoid injury or strain. Here are some examples of conditioning at varying levels of difficulty:
Finding a cohesive and functional conditioning plan is essential to the smooth running of any gymnastics class. As you can see there are many ways to go about this! Take your time when trying new activities. If you are frazzled the gymnasts will be as well.
Does your gymnast do extra conditioning at home? Has this given you a few ideas? Let me know in the comments below. Signing off for now, Coach Maygan |
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