“You’ll never be the best at anything. The world is a big place with millions of people; it’s impossible to be the best. Just do your best, and you’ll be fine.”

We often get encouraged not to compare ourselves to others, or to compare someone to somebody else. We understand that individuals are exactly that... individual. Yet something in our make-up as humans always brings as back to this critical thinking.

As Gymnastic Coaches we all too often see children in our classes compare themselves to other gymnasts in their group. Before even trying an activity, they have already made a judgement of their own ability and their skill expectations... set entirely around another class mate's skill attempt.

As Coaches it is our job to set an environment that encourages safe risk taking and nurtures ALL attempts. Regardless of the outcome, technique, form or ability level. Every achievement... is a GREAT achievement no matter how small! The trouble is getting our young gymnast to understand this.

From the perspective of a child it can be extremely frustrating when you are not as "capable" as another student. As adults we can understand there are other determining factors that may determine why an individual might be progressing at a faster rate. They could be involved in a multitude of sports and after school activities. They might train more than once in a week. They may of been training for years before you even started! As a child none of this information is relevant or even thought about. All they can understand is what they are witnessing right in front of them. Someone is "better" than them, and it's not fair.

As adults its our role to help model a healthy way to deal with self criticism, comparison and critique. If around the home you are comparing things or people, they will take on this behavior as well. If you vocalize how one footy player for example is better than another due to X,Y,Z. Then there is a good chance that your little "information sponge", by that I mean your child, will notice that the better performing sportsman gets the higher praise while the other gets critiqued.

I know there are going to be times when comparison is going to be helpful and help keep a gymnast motivated and goal orientated! The issue there, is finding the line between inspired & obsessive. I have witnessed gymnasts who are brand new to the sport and have this ultimate will power to keep pushing themselves until they are impressive little tumbling machines. I have also seen older gymnast who see a brand new gymnast with all this motivation, and get disheartened because this new athlete is somehow gaining up to their ability level uncomfortably quick.

My point being comparison is not inherently evil or bad. It is the behaviors following the comparison that will determine if this mind set is healthy or not. As adults we need to be aware of what these behaviors look like and how we can prevent them from becoming destructive.

Signing off for now,
​Coach Maygan

Have you been remembering to floss? No I don't mean your teeth or the dance that I am sure is not "cool" anymore. I'm talking about your nerves!

The human body is a largely complex piece of machinery with lots of little things that help keep the engine running - so to speak. In this regard I think a bicycle analogy will be the easiest to understand. Your body is the bicycle and your nerves are the chains. If your nerves are "stuck" or "not maintained" you may still be able to use the bike, though likely at a large convenience to yourself. To help maintain the functionality of your bicycle - you need to keep up maintenance. 

Nerve Flossing is exactly that. Maintenance on your nerves to help keep up their flexibility & functionality. 

In the world of gymnastics and dance, flexibility plays a large roll. A lot of the time when stretching, you may feel a discomfort or pain that stops you from being able to stretch any further. This is a good indicator that your body is telling you that it has reached its limit. However we can sometimes misunderstand this message. For example: When you are stretching your Pike you may feel a "pull" or tension in the back of your thighs/bottom. The first thing that usually pops into peoples minds is - "My Hamstrings are too tight!"

However this may not be the case at all. It might be your sciatic nerve instead!

Your Sciatic Nerve is a large nerve that starts in your lower back and runs directly down to your feet. The Sciatic Nerve is incredibly important for the body! Thankfully there are ways to tell the difference between a muscle hindering your flexibility progression or a nerve getting in the way.

How to Test it:
When stretching out in a Pike, if you are able to stretch significantly further with your toes pointed as apposed to flexed - there is a good chance your sciatic nerve might be what is stopping you!

So how can we help our nerves? And what does it have to do with flossing? Simply put, you use gliding movements of a limb to stretch one end the nerve while relaxing the opposite end. In a series of repetitive gliding movements, the nerves will respond a lot better than that of a "tradition" static stretch.

How to Floss safely: 
While Flossing can be incredibly beneficial... you must like any other stretch be careful.
​
1. Tissue Warm Up - Step one is crucial if you wish to get the most out of a nerve floss. The easiest/best ways to do this is via gentle to moderate manipulation of the surrounding muscle fibers. This can be achieved through a number of exercises with a foam roller, peanut, lacrosse ball or tennis ball. The pressure of your body weight and the shape of the object combined, is what will give you a deeper and more focused release. 

2. Nerve Flossing -  Now comes the time for flossing/gliding! The important part to remember that with flossing, you are not supposed to feel a deep stretch. Instead you should be focusing on holding resistance at the full extension of a stretch. It is the repetition of the same movement that will gently release the "stuck" nerve. There are NUMEROUS ways to floss and it is well worth your time to do some research of your own to find the best exercises for you.

3. Active Flexibility - Now comes the time to test those nerves! You have just successfully prepared  your nerves at their full range of motion. Now it's time to see if they can use this freshly gained functionality. Now is not the time to hold any static shapes. It's best to use your new range of reach/flexibility through dynamic movements. 

4. Passive Stretches - If passive or static stretches are apart of your routine, now is the time to use them. After following all the other steps you should notice a little extra flexibility in your stretches. Remember to take it easy! Your muscles will be more relaxed than usual, so they are prone to being over stretched if you aren't careful.

Take note of your before & after stretches. Have you noticed any improvements? Take some photos of your stretches so you can visualize how you are progressing.

Best of luck to you all & happy flossing!
​
Signing off for now,
Coach Maygan

Have you ever wondered where gymnastics skills get there names from? I'm sure you know that a few skills are named after particular gymnasts... but do you know when the skill was first competed? Or why it was so special?

The world of gymnastics is ever changing, developing and growing. It is one of the few sports in the world that is guaranteed to evolve over time. In 30 years time, the competing world of gymnastics will not be what it is today. You will likely see current day skills removed, and new skills included.

If youtube and video sharing is still relevant in 30 years, there is bound to be a new collection of "BANNED" gymnastics moves from the 2010's.

To have the honor of having a skill named after you, it needs to be competed at a high level eg. World Championships & Olympics. Each skill is rated from category A (easiest) to category I (hardest). 

Victoria Moors: Floor Skill
The Moors is a backwards double-twisting double layout. The hardest category rating of "I" was created by FIG (Fédération Internationale de Gymnastique) especially for this skill. This skill is so challenging because the gymnast is landing completely blind.
​

Olga Korbut: Balance Beam
In the 1972 Olympics Soviet Gymnast Olga Korbut first performed her signature beam skill. It involved a backward somersault that ends with her straddling the beam. It was the first time this skill was performed and it changed the way competing gymnasts flowed on the beam.

The skill can be seen at 0:40 seconds.​

Eberhard Gienger: Bars 
A Gienger is a backflip into a half turn - where a gymnast begins their swing facing outwards and ends with them facing inwards. This skill was first performed by German gymnast Eberhard Gienger. This skill can be competed in a piked position or in a layout position. 

It was a challange to find a video of him competing this skill from the 1970's. Here is a video of gymnast demonstrating the skill and a video of Gienger competing in the 1972 Olympics.

Elena Shushunova: Floor
Soviet gymnast Elena Shushunova first competed this skill in the 1986 World Cup. It is now a skill that is competed by numerous gymnasts due to its versatility to connect it to other skills. Lisa Skinner is an Australian gymnast who competed the shushunova skill 3 times in her routine in the 2000 Olympics routine.

Skill can be seen at 1:30 min of the video.

What did you think about all these elite gymnast and their trademark skills?

It would be great to do some more blog posts like this in the future. So we can learn a little bit of history behind some gymnastic skills.

Signing off for now,
Coach Maygan

The press to handstand is one of the most difficult skills to achieve as well as
one of the most important in the higher levels of gymnastics. The ‘press’, as
it is affectionately known, has a number of different components which can
take years to perfect and ultimately result in it’s mastery. The process of
learning a press to handstand also develops and teaches valuable skills for
life surrounding perseverance, determination and how to trust the process.

So, without further ado, lets look at some tips to help you achieve your press
to handstand!

Like it’s name sake suggests the handstand is all about balancing...upside
down! It takes a lot of practice to balance using our hands as though they
are our feet. In order to best prepare our bodies to balance upside down we
must undertake a lot of wrist conditioning. In our classes at FCGC we utilize
the array of equipment on offer to help our gymnast’s develop strength in
their wrists. Most of the time these activities are lots of fun for the gymnasts,
but really there is purpose to our play. Compressing foam blocks from the
foam pit or scrunching scarves with our hands all help to develop our wrist
and hand strength. The second vital shape for the handstand which we
practice from Geckos and Grown Ups through to Level 10 is our rocket or tall
shape. This shape is the most important for a lot of skills, but none more so
than the handstand. The gymnast practices standing in a straight line;
extending upwards through their shoulders, pressing their ribs ‘inwards’ and
pulling their hips ‘under’ to create a perfectly aligned and straight body.
When inverted, this shape becomes a perfectly straight handstand which is
easy to control and balance in.

The next component for a perfect press is core strength. In order to perform
a press to handstand it is essential for a gymnast to develop their core
stability through a range of exercises. As well as the general gymnastics core
conditioning activities including the likes of ‘dish hold’ and leg lifts, there are
many exercises which develop core strength in parallel with the press to
handstand action.

Stalder leg lifts are one such strengthening activity; the
gymnast starts hanging on the bar and lifts their legs into an inverted
straddle position. When rotated upside down the gymnast looks as though
they are starting in a handstand and lowering down to a straddle support
position; one of the many ways to start a press to handstand!

​Another similar drill is a lying press to handstand on a trapezoid shape.
​This drill not only works the gymnast’s core strength, but also their muscle memory for the skill. In this drill the gymnast begins lying on their back in a stretched position, their hands touching the wall as though in a handstand. Lifting through their hips, the gymnast rolls backwards into a straddle position with their hands still touching the wall. The gymnast then slowly lowers back to
their lying stretched handstand position – talk about that for an abdominal
work out!

As a coach the part I most often see gymnasts struggling with is the all
important ‘planche action’ with their shoulders. In order to perform a
consistent and technically correct press to handstand a gymnast must lean
forwards over their hands through a planche position. The easiest way to
think about a planche is like a seesaw; we are trying to counterbalance our
bodies through our shoulders. This leaning action is common place
throughout gymnastics skills including a ‘cast’ on the Uneven and High Bars,
swing to handstand on Parallel Bars and front support on floor.

At FCGC we encourage this important progression as early as possible with our gymnasts in order to make these harder skills much easier long-term for our athletes.

One shape which can be practiced at home as well as in class is a front
support position. In a front support the gymnast should have an ‘angry cat’
rounded chest and lean forward over their hands with their shoulders – this
will translate to a comfort of leaning forwards, assist the gymnast with the
skills mentioned previously, and their press to handstand!

Other exercises which work both the planche action required for the press and core strengthening include;

Pike Drag Ups:
The gymnast begins in a support shape on a bar or edge of a box and,
lifting through their hips whilst leaning forwards, drag their toes up the
bar/box to a standing position

Elephant Stand:
The gymnast begins in a frog position on the floor (squatting with
hands in between feet) and rests the inside of their leg on their straight
arms. The gymnast then leans forward with a rounded chest and
balances for as long as possible

Straddle Press Walks:
The gymnast begins sitting in a straddle position and lifts their hips up
whilst leaning forward over their hands. From the inverted position the
gymnast lowers back down through an L-sit and into a straddle and
places their hands in front of them ready to go again!
​
Now that we have looked at the different components of the press, its time to
put it all together! The gymnast should start in a straddle stand with their
back facing a wall, wedge or beat board (leaning against something of
course!) placing hands just in front of the vertical surface. From the straddle
stand the shoulders should lean forward through the planche phase whilst
lifting the toes into the air. Just before vertical the gymnast should
dynamically ‘open’ their shoulders to finish in a perfect handstand!

Remember that a press to handstand can take many years to achieve, so
don’t be pressed with time and start practicing today!

See you in the gym – Coach Toby

By definition conditioning is "the process of training or accustoming a person/animal to behave in a certain way or accept certain circumstances."

In this instance we won't be talking about animal training, shame I know. Instead we will be talking about training muscles to get stronger and the mind to get accustomed to the feeling of training ones muscles.

There are a lot of reasons why conditioning is crucial for gymnastics. I think the most important reason of all, would be for safety. ​Any gymnast is at risk of injury and often times if a gymnast has stronger ligaments and connective tissue, an injury may be prevented or the severity of an injury can be minimized. Other reasons why conditioning is important include stability, strength, mental toughness, team work, responsibility for personal progression and resilience.

Now we know WHY we do conditioning, let's talk about HOW.

Depending on the level a gymnast is, it will reflect the type and duration of the conditioning they will part take in. However, the younger gymnasts will still be introduced to some of the movements and the idea of strength based challenges through games, group activities, and fun circuit stations. For the older gymnasts in Gymstar and ALP they will be working on a larger array of conditioning tasks. 

As our gymnasts enter the gym for their class, they will make their way over to a designated area with their coach where they will part take in a group warm-up followed by stretching and fundamental shapes in gymnastics eg. dish, arch, front support etc. From here the coach may take them through some conditioning to help prepare the muscles for high action and full range of motion.

At FCGC we are very lucky in the regards of coaching resources. We have access to class planners on tablets that can aid or provide inspiration for all of our coaches through lesson plans and apparatus stations. Through out an apparatus training session, the coaches will assign conditioning stations among the skill development stations. We do this for several reasons. It helps to give the gymnasts a rest, and it breaks up the back to back skill development that can quickly wear out even the strongest of gymnasts. 

Here are a couple of examples for conditioning at an apparatus:
- Chin ups (rings, p-bars, bars)
- Dish/Arch Holds
- Squats or Lunges
- Resistance band exercises
- Exercise ball activities (eg. sit ups, tuck snaps, stability.)
-  Bar Toe Touches
- Dorsal Rocks/Inverts
- Leg lifts (Beam, Floor, Pommel)

Among a training session, the gymnasts will be given multiple opportunities to be working on their conditioning. Either worked into a circuit as previously discussed or in its own designated time/space. Each coach will have their own modifications to a strength based task or new ideas that will keep gymnasts engaged through out the session. This gives gymnasts the perfect opportunity to try varying challenges through out the entirety of their gymnastics experience.

Here are some methods you might see used in the gym:
- Timed Intervals 
- Partner based exercises 
- Whole class strength holds
- Circuits 
- Challenges of strength based on  repetitions

There are endless possibilities for a good conditioning class structure! So much so, that I can hardly scratch the surface through this blog post alone. If you are interested in some more ideas, the internet will be your best friend! Just remember when trying a new exercise you should always take it easy to avoid injury or strain. 

Here are some examples of conditioning at varying levels of difficulty:

Finding a cohesive and functional conditioning plan is essential to the smooth running of any gymnastics class. As you can see there are many ways to go about this! Take your time when trying new activities. If you are frazzled the gymnasts will be as well.

Does your gymnast do extra conditioning at home? Has this given you a few ideas? Let me know in the comments below.

Signing off for now,
Coach Maygan

"The fear of facing fears is harder to overcome than the fear itself." - Anonymous

Previously we have discussed the power of "Yet" and how language can effect our actions. This time, I would like to discuss how our thoughts can effect our actions in the Gym.

Recently I found myself being encouraged to discuss this topic to a wider audience, and I couldn't agree more with how beneficial it could be. Yet it is such a vast topic, where would I possibly start? In that question I had found my answer. Uncertainty. 

The words "I can't" are heard all too often in the gym, but they do not mean what you think. The words "I can't" are being spoken from a place of uncertainty, fear and anxiety. The words represent the self doubt we face when we are confronted with something new.

To dive into the unknown when there is a risk is a daunting task, no matter the age of the individual. The added threat of injury at any given attempt only makes it all the more challenging.

So how can we approach something that we cannot touch or see?

I believe understanding and acceptance are where a gymnast will make their largest strides to success. Fear is natural, and has been evident in nature for hundreds of thousands of years. There is no getting rid of fear. It is here to stay!

However, Fear is not bad. In fact it is incredibly useful. It will keep a gymnast concentrating on their technique. It will aid a coach in making sure a gymnast is ready for a skill before they attempt it. It will encourage precaution and sensibility in the most outgoing of gymnasts.

Forcing a gymnast through a skill might seem like the appropriate thing to do, either as a parent or as a coach. We might see it as a simple task, and we can see they are capable. Which in turn might get some of us a little frustrated, which means we can rush things. This can lead to "mental blocks" or "skill blocks". There is a big difference between encouragement and pressuring.

If you force a gymnast to attempt a skill there is a very strong chance they are going to bail. They are not going to commit to the skill, they are going to get half way through and then they are going to panic, and do anything they can to get out of the skill. The problem is, we aren't quite as effective as cats... so when a gymnast is high in the air and decides they don't like it, they aren't able to twist their bodies and land back casually on their feet. They are almost certainly going to land on the heaviest and most vital part of their bodies. Yep, you guessed it. Their heads.

This will only prove to the gymnast that their fears where in fact correct, the worst could possibly happen and they will get hurt. 

It is important to remember that a child or teenager is not as skilled at identifying emotional challenges like adults are. They need guidance until they can find themselves at a resolution.

Here are some ways we can handle fear:
1. Identifying the source of the fear. For this you will need to communicate, unless you are in fact a mind-reader and in which case may i strongly suggest a career change! Is your gymnast afraid of the fall? The height? Have they previously attempted this skill and it didn't go to plan? Are they not strong enough yet? Are they worried about looking silly?

2. Game, set and match! You need to approach it in small portions. If they are afraid of being on a high bar, change the bar or raise the crash mats so it doesn't seem as high. If they are afraid of looking silly in front of their class mates, offer private lessons until they feel more confident.

3.Mental Strength & Focus. They are always numerous aspects to a skill, and you are expected to execute all of them... at the same time.. but don't over think it... and don't forget to set up the skill properly... oh and definitely don't forget to  present at the end. That's a lot to take in right? Helping your gymnast focus on one thing at a time will allow them to truly be present, and focused. This also goes for life outside of the gym. They might have maths' homework, an art project due, a family dinner and an exam coming up they need to study for! 
Help them to breathe, pick one to focus on for now, and feel confident in their capabilities.

4. Remind them how brave they are for even trying! Even basic gymnastics skills are not simple, and attempting them in the first place requires bravery & gumption. 

There is a lot that go wrong due to fear, but also a lot that can go right!
Do not give up! It may take you longer than you expected but you can and you will get there if you keep fighting for it.

Who do you think should read this blog post? Tag them and let's start the conversation about "I can't".

Signing off for now,
​Coach Maygan.

Coach Jes here 👋🏻 - Finding confidence and growing character is what we aim to do here at FCGC and over the weekend our Victorian championship gymnasts proved this to everyone! Each of them had many memorable moments but here are my stand outs
​
Karina - overcame some fears and mental blocks to confidently perform her round off on beam for the first time in competition 🙌🏻 Karina placed 5th on bars.

Tammy - trusted in her ability as a athlete to listen to her body and make appropriate decisions for her longevity in this sport, even if it meant not performing her hardest skills 👍🏻 Tammy placed 3rd on bars and 6th on vault.

Thomas - after falling twice on the same skill Thomas got back up on the bars and attempted the harder version of the skill (because why not?) and he nailed it!! The perfect example of confidence and character 💪🏻

As a coach I am beyond proud of these three and the amazing role models they are for everyone at our club 💜
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Have any questions about these athletes or the competition? Comment them below and I’ll get back to you soon
Jes